All MENGS, Anton Raphael Oil Paintings

German Neoclassical Painter, 1728-1779 Painter and writer, brother of Theresia Concordia Mengs. His early career was at the Dresden court; thereafter he worked principally in Rome and Madrid, notably on the frescoes at the Villa Albani and the Palacio Real respectively. As an early exponent of Neo-classicism he produced some impressive classical and religious scenes, though he was most accomplished as a portrait painter. Under the influence of Johann Joachim Winckelmann he also wrote some theoretical works, of which the most important is the Gedanken ber die Schenheit und ber den Geschmack in der Malerey (1762). Although acclaimed during his lifetime
 

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MENGS, Anton Raphael Ferdinand IV, King of Naples oil on canvas


Ferdinand IV, King of Naples
Ferdinand IV, King of Naples
Painting ID::  8189
  1760 Oil on canvas, 179 x 130 cm Museo del Prado, Madrid
  1760 Oil on canvas, 179 x 130 cm Museo del Prado, Madrid

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MENGS, Anton Raphael Maria Luisa of Parma sg oil on canvas


Maria Luisa of Parma sg
Maria Luisa of Parma sg
Painting ID::  8190
  1765 Oil on canvas, 48 x 38 cm Museo del Prado, Madrid
  1765 Oil on canvas, 48 x 38 cm Museo del Prado, Madrid

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MENGS, Anton Raphael Self-Portrait w7785 oil on canvas


Self-Portrait w7785
Self-Portrait w7785
Painting ID::  8191
  1744 Pastel on paper, 55,5 x 42,5 cm Gemäldegalerie, Dresden
  1744 Pastel on paper, 55,5 x 42,5 cm Gemäldegalerie, Dresden

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MENGS, Anton Raphael Johann Joachim Winckelmann oil on canvas


Johann Joachim Winckelmann
Johann Joachim Winckelmann
Painting ID::  19374
  Oil on canvas Metropolitan Museum of Art, New York.
  Oil on canvas Metropolitan Museum of Art, New York.

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MENGS, Anton Raphael Charles IV as Prince oil on canvas


Charles IV as Prince
Charles IV as Prince
Painting ID::  19375
  Oil on canvas Museo del Prado, Madrid.
  Oil on canvas Museo del Prado, Madrid.

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     MENGS, Anton Raphael
     German Neoclassical Painter, 1728-1779 Painter and writer, brother of Theresia Concordia Mengs. His early career was at the Dresden court; thereafter he worked principally in Rome and Madrid, notably on the frescoes at the Villa Albani and the Palacio Real respectively. As an early exponent of Neo-classicism he produced some impressive classical and religious scenes, though he was most accomplished as a portrait painter. Under the influence of Johann Joachim Winckelmann he also wrote some theoretical works, of which the most important is the Gedanken ber die Schenheit und ber den Geschmack in der Malerey (1762). Although acclaimed during his lifetime

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